⋙ PDF Free Walking the Clouds An Anthology of Indigenous Science Fiction Sun Tracks Grace L Dillon 9780816529827 Books

Walking the Clouds An Anthology of Indigenous Science Fiction Sun Tracks Grace L Dillon 9780816529827 Books

Download As PDF : Walking the Clouds An Anthology of Indigenous Science Fiction Sun Tracks Grace L Dillon 9780816529827 Books

Walking the Clouds An Anthology of Indigenous Science Fiction Sun Tracks Grace L Dillon 9780816529827 Books

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Walking the Clouds An Anthology of Indigenous Science Fiction Sun Tracks Grace L Dillon 9780816529827 Books Reviews

Editor Grace L. Dillon is an associate professor and this anthology reads more like a textbook than I expected. Dillon is fond of using the jargon associated with ethnic studies, which I often found hard to follow and sometimes even pretentious. If I had been able to skip her various introductions, I might have liked the book even more. Unfortunately, she features many excerpts from longer works that need some explaining, so I had to plow through what she wrote.

My least-favorite section of the anthology (not counting those introductions) was the one called "The Native Slipstream", which caused me to almost give up on this book. I find "slipstream" stories to be too confusing and hallucinatory to enjoy. But I persevered and am glad I did. In the rest of the sections, Dillon introduced me to many authors whose works I plan on seeking out, such as Celu Amberstone, Nalo Hopkinson, Andrea Hairston, Archie Weller, and others. Overall, this collection is quite good and deserves to be read by fans of so-called "literary" science fiction and/or Native American (or other indigenous) writing.
Gerald Vizenor's "Custer on the Slipstream" uses dizzying perspective-shifting; the lilting language in which Nalo Hopkinson writes in "Midnight Robber"; the truly liberated Maori in Robert Sullivan's prose-poem excerpt from "Space Waka" this anthology may be the vanguard of the next wave of change in the science fiction genre. It's a revelatory journey into stories and viewpoints that white Anglo-Saxon SF readers often seemed unwilling to understand. Open your mind; read this book.
Not just a science fiction anthology on a particular theme, as the editor used her expertise in Science Fiction Studies and Indigenous Nations Studies to take a cross-disciplinary approach that allowed her to put together a selection of first-rate science fiction (or science fictional) short stories and novel excerpts whose theme broadens the scope of the genre.

The authors come from various Indigenous backgrounds (Native American, First Nations, Aboriginal, Maori, sometimes intersecting with African, just as Indigenous Futurism intersects with Afro-Futurism), but the book is not simply a selection of SF stories by writers from a particular group "identity", or even simply informed by the social position that comes with that background (though such "Skin thinking" is one theme of the volume, but not just between Indigenous peoples and Eurowestern colonizers but in a network of relations between different tribes, nonhumans, post-cyberpunk neotribalists, etc).

Above all, this is an anthology of work informed by the authors' multi-cultural perspectives, of science fiction informed by Indigenous models of reality and Indigenous narrative techniques. In some cases, the Indigenous SF included actually anticipates mainstream SF. For example, a form now recognizable as Native Slipstream, based on cultural models similar to scientific models of non-linear time, the multiverse, alternative histories, etc., not only anticipates the mainstream SF subgenre slipstream, the first example here, Gerald Vizenor's "Custer on the Slipstream", includes the word in its title.

The anthology is divided into five sections The Native Slipstream; Contact; Indigenous Science and Sustainability; Native Apocalypse; and Biskaabiiyang, "Returning to Ourselves", but most of the selections could fit in more than one category.

The one major criticism I have is that two-thirds of the selections are novel excerpts, but I trust the editor's decision based on her knowledge of the material, and actually didn't really mind much in this case. Several excerpts definitely make me think I want to read the whole novel, such as the piece from Nalo Hopkinson's Midnight Robber.
essential
brilliant and the only anthology of its kind i know of. using in my freshman geography class at Colorado College. beautiful collection!
An interesting, well-documented academic tome presenting some great works of aboriginal people’s science fiction reframing of themselves and their identity.
I didn't realize this anthology was going to be just excerpts from books; had been expecting short stories as that's what all other anthologies I've read have been. The writing was good, but I just couldn't get past my own expectations of complete short stories.
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